Piano Quartet in Paris
What's interesting about this concert:
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A string trio creates an intimate sound that draws listeners in close. Every voice, the violin, viola, and cello, can be heard in conversation, weaving emotion and color with clarity. The addition of piano brings a new dimension, expanding that dialogue with warmth and resonance that fills the space.
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This program explores three vivid musical worlds. Sibelius paints stark northern landscapes, Moeran brings the lyricism and dance of the Irish countryside, and Fauré adds French elegance and passion. Together, they show just how expressive chamber music can be when performed by only a few musicians.
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Each work also reflects the personal story of its composer. Sibelius’s trio captures the tension and isolation of his early years, Moeran’s reveals renewal after a period of struggle, and Fauré’s quartet shows a master at the height of his expressive power. Heard in one evening, these pieces trace a journey of resilience, reflection, and beauty.
Concert Details
DATES & TIMES
Friday, Nov 21 2025 7:00pm
AND
Sunday, Nov 23 2025 2:00pm
DURATION
1 hour, 30 minutes
(includes 15-min. intermission)
LOCATION
FRIDAYS
The Ozark Club
in the History Museum
422 2nd St S, Great Falls
SUNDAYS
First Congregational
United Church of Christ
2900 9th Ave S, Great Falls
The Program
PIANO QUARTET IN PARIS
SEASON SPONSORED BY
BRICE ADDISON
SEASON SPONSORED BY
JUDY ERICKSEN
IN PARTNERSHIP WITH
About the Music
PROGRAM NOTES BY JAY GREGG
Jean Sibelius was born in 1865 in Hameenlimma, Finland. Even though he preferred to speak Swedish over the Finnish language, Sibelius is widely recognized for his prominent voice in Finnish nationalistic music. Many of Sibelius’s early compositions were inspired by Elias Lonnrot’s Kalevala, a collection of oral poetry and folklore and regarded as the national epic of Finland. The poems and lores were collected from storytellers and farmers across Finland and Karelia and compiled into a cohesive narrative by Lonnrot and published in 1835. One such work inspired by the Kalevala was The Lemminkainen Suite, written between 1893-1895 and was Sibelius’s first pertinent composition for orchestra alone. Composed in the midst of these years was Sibelius’s String Trio in G minor.
Sibelius’s String Trio only contains one complete movement (Lento). The following two movements are not complete, consisting only of 4 minutes of music between them. The piece begins with icy blasts of emotion between the violin and viola. Within just the first notes, listeners of this piece already begin to understand the storytelling and imagery of Sibelius through his musical composition. With only a few appearances of warmth throughout the work, Sibelius leaves his listeners feeling cold, even 131 years after the piece was first premiered.
String Trio in G minor
JS 210
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I. Lento
II. Allegro
III. -
1894
Jean Sibelius
1865 – 1957
12 MINUTES
Ernest John Moeran is an English composer born in 1894. He was an avid collector and arranger of folk music. While Moeran was born in England, he was also from Irish descent and eventually moved to Ireland during the latter half of his life. Greatly inspired by the landscape in which he was surrounded, Moeran’s music captures the rolling hills and lush greenery of both Ireland and his homeland. As the First World War transpired, Moeran served in the British Army from 1914-1919. However, he received a head injury in 1917 due to shrapnel being lodged in his head, but too close to the brain to be removed. Due to the current medical technology and surgical knowledge, after rigorous and primitive surgery, he was still declared unfit to serve and was therefore discharged. Moeran asserted himself as a master of lyricism through his use of diatonic scales and suspensions as early as the 1920’s. He married cellist Peers Coetmore in 1945 for whom he wrote his cello concerto. As a young man, Moeran would often heavily drink with his friends, which dampened his music output between the years 1925-1930. His struggle of alcoholism was eventually put to an end in 1930 when Peers insisted that they move to a villa in the countryside, where he wrote his String Trio the following year.
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Consisting of four movements, Moeran’s String Trio opens with an allegretto giovale in a â…ž time signature, creating a unique and folky feel. The emotional second movement contains elements of both internal conflict and external outcry as the performers explore the emotional depth of their instruments. The movement ends with a sigh motif and continues into the blustery and conversational vivace as a series of vivacious notes are passed between the strings. The movement loses momentum as it leads into the andante grazioso of the fourth movement, which concludes with a firework of energy as the players dance to resolution of the piece.
String Trio in G Major
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I. Allegretto giovale
II. Adagio
III. Molto vivace: Lento sostenuto
IV. Andante grazioso: Presto
1931
Ernest John Moeran
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1894 – 1959
22 MINUTES
Born 1845 in Pamiers, France, Gabriel Faure was surrounded by music throughout his upbringing. At only nine years of age, he moved to Paris to join the École Niedermeyer, a school in Paris specializing in church music. Faure trained to be a church organist and later became a choirmaster and organist at La Madeleine in Paris. While Faure was making a living in his newfound musical career, he was by no means well-known and made very little income at this time in his life. Later, however, he gained popularity and was appointed director of Paris Conservatory in place of Jules Massenet. Faure became quite famous both inside and outside the walls of the conservatory. Aside from his Violin Sonata in A Minor, Faure’s Piano Quintet in C Minor was his first chamber work.
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The scherzo begins with a bubbling energy as a quick, dancing melody is passed between the instruments. When this melody is later paired with a playful pizzicato, it creates a childlike innocence that can be heard throughout the movement. As the scherzo comes to a conclusion, the third movement (adagio) opens with a dark, C minor chord in the piano, followed by a harrowing motif played by the cello, which is passed to the other strings throughout the following measures. Even as resolutions of a major key appear sporadically, the adagio provides a false sense of hope as it inevitably returns to the minor tonic. The final movement of the quartet returns to the boiling energy, leaving the sound of despair as only a faint memory.
Piano Quartet No. 1 in C minor, Op. 15
I. Allegro molto moderato
II. Scherzo: Allegro vivo
III. Adagio
IV. Allegro molto
1926
Gabriel Faure
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1845 – 1924







